Artworks
Everything currently in the Open Art Database
| 24 Hour Psycho | Douglas Gordon | Museum of Modern Art | Video installation | 1993 |
| 61 rue du Maire | Eugène Atget | Art Institute of Chicago, object 54273 | Gelatin silver printing out print, from "Picturesque Paris II" | 1910 |
| 1965 / 1–∞, Detail 1–35327 | Roman Opałka | Museum of Modern Art | Acrylic on canvas | 1965 |
| A Corner | Edward Hopper | Art Institute of Chicago, object 50049 | Etching on ivory wove paper | 1919 |
| A Peasant Woman Digging in Front of Her Cottage | Vincent van Gogh | Art Institute of Chicago, object 28862 | Oil on canvas | c. 1885 |
| A Sunday on La Grande Jatte — 1884 | Georges Seurat | Art Institute of Chicago, object 27992 | Oil on canvas | 1884–86, border added 1888–89 |
| After the Bullfight | Mary Cassatt | Art Institute of Chicago, object 31816 | Oil on canvas | 1873 |
| After the Hurricane, Bahamas | Winslow Homer | Art Institute of Chicago, object 16776 | Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on ivory wove paper | 1899 |
| Afternoon Sun, Crater Lake National Park, Oregon, No. 8 from "Portfolio Two: The National Parks and Monuments" (1950) | Ansel Adams | Art Institute of Chicago, object 121687 | Gelatin silver print | 1943, printed 1950 |
| Akron Civic Theatre, Akron, Ohio | Hiroshi Sugimoto | Art Institute of Chicago, object 70536 | Gelatin silver print | 1980 |
| Alders, Prairie Creek Beach, Northern California | Ansel Adams | Jordan Matthiass — exhibition proposal | Gelatin silver print | c. 1949 |
| American Gothic | Grant Wood | Art Institute of Chicago, object 6565 | Oil on Beaver Board | 1930 |
| Animal Locomotion, Plate 174 | Eadweard Muybridge | Art Institute of Chicago, object 212169 | Collotype, from "Animal Locomotion" | 1887 |
| Animal Locomotion, Plate 319 | Eadweard Muybridge | Art Institute of Chicago, object 195558 | Collotype, from "Animal Locomotion" | 1887 |
| Animal Locomotion, Plate 535 | Eadweard Muybridge | Art Institute of Chicago, object 212168 | Collotype, from "Animal Locomotion" | 1887 |
| Animal Locomotion, Plate 758 | Eadweard Muybridge | Art Institute of Chicago, object 195560 | Collotype, from "Animal Locomotion" | 1887 |
| APR. 27, 1966 | On Kawara | Museum of Modern Art | Liquitex on canvas | 1966 |
| Arrival of the Normandy Train, Gare Saint-Lazare | Claude Monet | Art Institute of Chicago, object 16571 | Oil on canvas | 1877 |
| Aspens, Dawn, Dolores River Canyon | Ansel Adams | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1937 |
| At the Moulin Rouge | Henri de Toulouse-Lautrec | Art Institute of Chicago, object 61128 | Oil on canvas | 1892–95 |
| Auvers, Panoramic View | Paul Cézanne | Art Institute of Chicago, object 14556 | Oil on canvas | 1873–75 |
| Avenue des Gobelins | Eugène Atget | The Metropolitan Museum of Art | Albumen silver print | 1925 |
| Ballet at the Paris Opéra | Edgar Degas | Art Institute of Chicago, object 61603 | Pastel over monotype on cream laid paper | 1877 |
| Ballet Dancers | Henri de Toulouse-Lautrec | Art Institute of Chicago, object 9148 | Oil on plaster, transferred to canvas | 1885–86 |
| Bibliothèque nationale de France I | Candida Höfer | Museum of Modern Art | Chromogenic color print | 1998 |
| Black Cross, New Mexico | Georgia O'Keeffe | Art Institute of Chicago, object 46327 | Oil on canvas | 1929 |
| Blue and Green Music | Georgia O'Keeffe | Art Institute of Chicago, object 24306 | Oil on canvas | 1919–21 |
| Bordighera | Claude Monet | Art Institute of Chicago, object 81537 | Oil on canvas | 1884 |
| Boulevard de Strasbourg (Corsets) | Eugène Atget | Art Institute of Chicago, object 50136 | Gelatin silver printing out paper print | 1912 |
| Branch of the Seine near Giverny (Mist) | Claude Monet | Art Institute of Chicago, object 16564 | Oil on canvas | 1897 |
| Calf's Head and Ox Tongue | Gustave Caillebotte | Art Institute of Chicago, object 154121 | Oil on canvas | c. 1882 |
| Caribbean Sea, Jamaica | Hiroshi Sugimoto | Art Institute of Chicago, object 143121 | Offset lithograph, from the portfolio "Time Exposed" (1991) | 1980, printed 1991 |
| Christa and Wolfi | Gerhard Richter | Art Institute of Chicago, object 93344 | Oil on canvas | 1964 |
| Clearing Winter Storm, Yosemite National Park | Ansel Adams | Art Institute of Chicago, object 121723 | Gelatin silver print, No. 9 from "Portfolio Three: Yosemite Valley" (1959) | c. 1937, printed 1959 |
| Cliff Walk at Pourville | Claude Monet | Art Institute of Chicago, object 14620 | Oil on canvas | 1882 |
| Condensation Cube | Hans Haacke | Jordan Matthiass — exhibition proposal | Plexiglas and water | 1965 |
| Cow's Skull with Calico Roses | Georgia O'Keeffe | Art Institute of Chicago, object 61428 | Oil on canvas | 1931 |
| Cranes on snow-covered pine | Katsushika Hokusai | Art Institute of Chicago, object 21720 | Color woodblock print; vertical nagaban | c. 1834 |
| Croquet Scene | Winslow Homer | Art Institute of Chicago, object 44018 | Oil on canvas | 1866 |
| Daido Hysteric No. 4 1993 | Daido Moriyama | Art Institute of Chicago, object 224187 | Gelatin silver print | 1993 |
| Daniel-Henry Kahnweiler | Pablo Picasso | Art Institute of Chicago, object 111060 | Oil on canvas | autumn 1910 |
| December Afternoon | Grant Wood | Art Institute of Chicago, object 99557 | Lithograph on ivory wove paper | 1940, published 1941 |
| Empire | Andy Warhol | Museum of Modern Art | 16 mm film | 1964 |
| English Channel, Weston Cliff | Hiroshi Sugimoto | Art Institute of Chicago, object 137080 | Gelatin silver print | 1994 |
| Equestrienne (At the Cirque Fernando) | Henri de Toulouse-Lautrec | Art Institute of Chicago, object 16146 | Oil on canvas | 1887–88 |
| Eugene Atget, Paris | Berenice Abbott | Art Institute of Chicago, object 60168 | Gelatin silver print | 1927 |
| Explosion at Sea | Vija Celmins | Art Institute of Chicago, object 146905 | Oil on canvas | 1966 |
| Fertility | Grant Wood | Art Institute of Chicago, object 117693 | Lithograph on ivory wove paper | 1939 |
| Fête du Trône | Eugène Atget | Art Institute of Chicago, object 55384 | Gelatin silver printed-out print | 1925 |
| FILM | Tacita Dean | Tate | 35 mm film installation | 2011 |
| Final Study for "Bathers at Asnières" | Georges Seurat | Art Institute of Chicago, object 20199 | Oil on panel | 1883 |
| Fishing in Spring, the Pont de Clichy (Asnières) | Vincent van Gogh | Art Institute of Chicago, object 109314 | Oil on canvas | 1887 |
| From Angel Series, Roma, September, 1977 | Francesca Woodman | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1977 |
| Gloucester Mansions | Edward Hopper | Art Institute of Chicago, object 14749 | Watercolor, over graphite, on ivory wove paper | 1923 |
| Goshogawara | Daido Moriyama | Art Institute of Chicago, object 204297 | Gelatin silver print | 1976 |
| Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) | Utagawa Hiroshige | Art Institute of Chicago, object 4371 | Color woodblock print; chuban | c. 1837/42 |
| Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" | Katsushika Hokusai | Art Institute of Chicago, object 2914 | Color woodblock print; chuban | c. 1806 |
| Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin) | Edgar Degas | Art Institute of Chicago, object 14574 | Oil on canvas | 1875–76 |
| Hokkaido (Snow) | Daido Moriyama | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1972 |
| Hokkaido (Train) | Daido Moriyama | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1972 |
| Homesickness | René Magritte | Art Institute of Chicago, object 22482 | Watercolor and gouache, over touches of graphite, on cream wove paper | c. 1948 |
| Hunter (Kariudo) | Daido Moriyama | Art Institute of Chicago, object 204298 | Gelatin silver print | 1971 |
| Ice (1) | Gerhard Richter | Art Institute of Chicago, object 146994 | Oil on canvas | 1989 |
| Interior | Edward Hopper | Art Institute of Chicago, object 14752 | Watercolor with touches of gouache, over graphite, on ivory wove paper | 1925 |
| Interior in Strandgade, Sunlight on the Floor | Vilhelm Hammershøi | National Gallery of Denmark | Oil on canvas | 1901 |
| Interior, Room 70 | Byron Company | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1925 |
| Jockey | Edgar Degas | Art Institute of Chicago, object 7157 | Graphite with stumping on tan wove paper | 1866–68 |
| Joueur d'orgue (Organ Player) | Eugène Atget | Art Institute of Chicago, object 55394 | Gelatin silver printing out print | 1898/99 |
| La durée poignardée (Time Transfixed) | René Magritte | Art Institute of Chicago, object 34181 | Oil on canvas | 1938 |
| Lake Superior, Cascade River | Hiroshi Sugimoto | Art Institute of Chicago, object 145296 | Gelatin silver print | 1995 |
| Loch Vale | Grant Wood | Art Institute of Chicago, object 156075 | Oil on canvas | 1927 |
| Madame Cezanne in a Yellow Chair | Paul Cézanne | Art Institute of Chicago, object 62371 | Oil on canvas | 1888–90 |
| Madame Roulin Rocking the Cradle (La berceuse) | Vincent van Gogh | Art Institute of Chicago, object 27949 | Oil on canvas | 1889 |
| Man with Newspaper | René Magritte | Jordan Matthiass — exhibition proposal | Oil on canvas | 1928 |
| Marchand abat-jours | Eugène Atget | Art Institute of Chicago, object 70742 | Albumen print | 1899/1900 |
| Mediterranean Sea, Cassis | Hiroshi Sugimoto | Art Institute of Chicago, object 137079 | Gelatin silver print | 1989 |
| Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido | Utagawa Hiroshige | Art Institute of Chicago, object 10926 | Color woodblock print; oban | c. 1833/34 |
| Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) | Utagawa Hiroshige | Art Institute of Chicago, object 4368 | Color woodblock print; chuban | c. 1837/42 |
| Moonrise, Hernandez, New Mexico | Ansel Adams | Art Institute of Chicago, object 76934 | Gelatin silver print | 1941 |
| Mother and Child | Pablo Picasso | Art Institute of Chicago, object 109275 | Oil on canvas | 1921 |
| Moulin de la Galette | Henri de Toulouse-Lautrec | Art Institute of Chicago, object 14664 | Oil on canvas | 1889 |
| Mt. Lyell on the Right | Ansel Adams | Jordan Matthiass — exhibition proposal | Gelatin silver print | c. 1920 |
| Mystery and Melancholy of a Street | Giorgio de Chirico | University of Michigan Library — History of Art VRC | Oil on canvas | 1914 |
| Navigating Hakaru | Michele Stuart | Jordan Matthiass — exhibition proposal | Mixed media | 1999 |
| Night on the El Train | Edward Hopper | Art Institute of Chicago, object 50091 | Etching on off-white wove paper | 1918 |
| Night Sky #2 | Vija Celmins | Art Institute of Chicago, object 140645 | Alkyd on canvas mounted on aluminum | 1991 |
| Night Sky #8 | Vija Celmins | Jordan Matthiass — exhibition proposal | Charcoal, graphite, and chalk on paper | 1994–1995 |
| Night Sky #9 (For Felix) | Vija Celmins | Jordan Matthiass — exhibition proposal | Oil on canvas | 1995 |
| Night Sky #13 | Vija Celmins | Jordan Matthiass — exhibition proposal | Charcoal on paper | 1996–1997 |
| Night Sky #16 | Vija Celmins | Jordan Matthiass — exhibition proposal | Oil on linen mounted on wood | 2000–2001 |
| Night View, New York | Berenice Abbott | Museum of Modern Art | Gelatin silver print | 1932 |
| Nighthawks | Edward Hopper | Art Institute of Chicago, object 111628 | Oil on canvas | 1942 |
| Nightlife | Archibald J. Motley Jr. | Art Institute of Chicago, object 117266 | Oil on canvas | 1943 |
| Nocturne | James McNeill Whistler | Art Institute of Chicago, object 139288 | Lithotint, on a prepared half-tint ground, in black with scraping, on blue laid paper, laid down on ivory plate paper (chine collé) | 1878, published 1887 |
| Nocturne: Blue and Gold—Southampton Water | James McNeill Whistler | Art Institute of Chicago, object 56905 | Oil on canvas | 1872 |
| Ocean Surface Woodcut 1992 | Vija Celmins | Art Institute of Chicago, object 233436 | Woodcut in black on white wove paper | 1992 |
| Oil Sketch for "A Sunday on La Grande Jatte — 1884" | Georges Seurat | Art Institute of Chicago, object 61616 | Oil on panel | 1884 |
| On a Balcony | Mary Cassatt | Art Institute of Chicago, object 26650 | Oil on canvas | 1878–79 |
| On the Bank of the Seine, Bennecourt | Claude Monet | Art Institute of Chicago, object 81539 | Oil on canvas | 1868 |
| On the Threshold of Liberty | René Magritte | Art Institute of Chicago, object 110970 | Oil on canvas | February–March 1937 |
| One Year Performance 1980–1981 (Time Clock Piece) | Tehching Hsieh | Tate | Performance and documentation | 1980–1981 |
| Paris Street; Rainy Day | Gustave Caillebotte | Art Institute of Chicago, object 20684 | Oil on canvas | 1877 |
| Piazza | Giorgio de Chirico | Art Institute of Chicago, object 110995 | Graphite, with erasing and touches of smudging, on cream laid paper | 1914 |
| Plate 347 (From “Animal Locomotion”) | Eadweard Muybridge | Jordan Matthiass — exhibition proposal | Collotype | 1887 |
| Plate 626 (From “Animal Locomotion”) | Eadweard Muybridge | Jordan Matthiass — exhibition proposal | Collotype | 1887 |
| Portrait of Pablo Picasso | Juan Gris | Art Institute of Chicago, object 8624 | Oil on canvas | January–February 1912 |
| Radio City Music Hall, New York | Hiroshi Sugimoto | The Metropolitan Museum of Art | Gelatin silver print | 1978 |
| Rain Clouds over the San Joaquin Valley | Ansel Adams | Jordan Matthiass — exhibition proposal | Gelatin silver print | c. 1934 |
| Rain on Hiroshige Bridge III | Saul Steinberg | Art Institute of Chicago, object 220539 | Pen and black ink, with graphite, black and colored pencil, and rubber stamps in black and red ink, ruled in black pencil, on ivory wove paper, folded | 1980 |
| Recreation of First Public Demonstration of Auto-Destructive Art | Gustav Metzger | Jordan Matthiass — exhibition proposal | Mixed-media installation | 2004 |
| Room | Daido Moriyama | Art Institute of Chicago, object 202855 | Gelatin silver print | 1969 |
| Room (Zimmer) | Thomas Demand | Museum of Modern Art | Chromogenic color print | 1994 |
| Room in Brooklyn | Walker Evans | The Metropolitan Museum of Art | Gelatin silver print | 1933 |
| Rooms by the Sea | Edward Hopper | Yale University Art Gallery | Oil on canvas | 1951 |
| Sallie Gardner at a Gallop | Eadweard Muybridge | Library of Congress | Albumen prints | 1878 |
| Seated Woman with a Parasol (study for La Grande Jatte) | Georges Seurat | Art Institute of Chicago, object 150773 | Black Conté crayon on ivory laid paper | 1884/85 |
| Self-Portrait | Vincent van Gogh | Art Institute of Chicago, object 80607 | Oil on artist's board, mounted on cradled panel | 1887 |
| Self-Portrait | Archibald J. Motley Jr. | Art Institute of Chicago, object 140644 | Oil on canvas | c. 1920 |
| Self-Portrait with a Hat | Gustave Caillebotte | Art Institute of Chicago, object 140080 | Graphite on off-white laid paper | c. 1879 |
| Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)" | Katsushika Hokusai | Art Institute of Chicago, object 87008 | Color woodblock print; oban | c. 1830/33 |
| Sky above Clouds IV | Georgia O'Keeffe | Art Institute of Chicago, object 100858 | Oil on canvas | 1965 |
| Sleepy Nicolle | Mary Cassatt | Art Institute of Chicago, object 28826 | Pastel on blue-gray wove paper (faded to tan), mounted on board | c. 1900 |
| Spatial Concept, Waiting | Lucio Fontana | Jordan Matthiass — exhibition proposal | Water-based paint on canvas | c. 1965 |
| Spatial Concept, Waiting | Lucio Fontana | Jordan Matthiass — exhibition proposal | Water-based paint on canvas | 1962 |
| Stacks of Wheat (End of Day, Autumn) | Claude Monet | Art Institute of Chicago, object 14624 | Oil on canvas | 1890–91 |
| Stacks of Wheat (End of Summer) | Claude Monet | Art Institute of Chicago, object 64818 | Oil on canvas | 1890–91 |
| Studies of the Back of a Right Hand | Käthe Kollwitz | Jordan Matthiass — exhibition proposal | Charcoal on paper | c. 1900 |
| Study for Paris Street; Rainy Day | Gustave Caillebotte | Art Institute of Chicago, object 210484 | Graphite, with touches of erasing and touches of charcoal, on tan laid paper | 1877 |
| Submerged Trees, Slide Lake, Teton Area | Ansel Adams | Jordan Matthiass — exhibition proposal | Gelatin silver print | c. 1965 |
| Sun in an Empty Room | Edward Hopper | Whitney Museum of American Art | Oil on canvas | 1963 |
| Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre | Vincent van Gogh | Art Institute of Chicago, object 27954 | Oil on canvas, mounted on pressboard | Early 1887 |
| The Artist's House at Argenteuil | Claude Monet | Art Institute of Chicago, object 16554 | Oil on canvas | 1873 |
| The Banquet | René Magritte | Art Institute of Chicago, object 118718 | Oil on canvas | 1958 |
| The Basket of Apples | Paul Cézanne | Art Institute of Chicago, object 111436 | Oil on canvas | c. 1893 |
| The Bathers | Paul Cézanne | Art Institute of Chicago, object 45240 | Oil on canvas | 1899-1904 |
| The Bay of Marseille, Seen from L'Estaque | Paul Cézanne | Art Institute of Chicago, object 16487 | Oil on canvas | c. 1885 |
| The Beach at Sainte-Adresse | Claude Monet | Art Institute of Chicago, object 14598 | Oil on canvas | 1867 |
| The Bedroom | Vincent van Gogh | Art Institute of Chicago, object 28560 | Oil on canvas | 1889 |
| The Child's Bath | Mary Cassatt | Art Institute of Chicago, object 111442 | Oil on canvas | 1893 |
| The Clock | Christian Marclay | Tate | Single-channel video installation | 2010 |
| The Drinkers | Vincent van Gogh | Art Institute of Chicago, object 79349 | Oil on canvas | 1890 |
| The Evening Wind | Edward Hopper | Art Institute of Chicago, object 36038 | Etching on ivory wove paper | 1921 |
| The Eventuality of Destiny | Giorgio de Chirico | Art Institute of Chicago, object 20554 | Oil on canvas | 1927 |
| The Gulf Stream | Winslow Homer | Art Institute of Chicago, object 16794 | Transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on ivory wove paper | probably 1899, dated by the artist "1889" |
| The Herring Net | Winslow Homer | Art Institute of Chicago, object 25865 | Oil on canvas | 1885 |
| The Locomotive | Edward Hopper | Art Institute of Chicago, object 50064 | Etching and drypoint on white wove paper | 1923 |
| The Menaced Assassin | René Magritte | Museum of Modern Art | Oil on canvas | 1927 |
| The Millinery Shop | Edgar Degas | Art Institute of Chicago, object 14572 | Oil on canvas | 1879-86 |
| The Old Guitarist | Pablo Picasso | Art Institute of Chicago, object 28067 | Oil on panel | late 1903–early 1904 |
| The Philosopher's Conquest | Giorgio de Chirico | Art Institute of Chicago, object 30839 | Oil on canvas | 1913–14 |
| The Poet's Garden | Vincent van Gogh | Art Institute of Chicago, object 14586 | Oil on canvas | 1888 |
| The Red Armchair | Pablo Picasso | Art Institute of Chicago, object 5357 | Oil and Ripolin on panel | December 16, 1931 |
| The Reflecting Pool | Bill Viola | Museum of Modern Art | Color video with sound | 1977–1979 |
| The Shelton with Sunspots, N.Y. | Georgia O'Keeffe | Art Institute of Chicago, object 104031 | Oil on canvas | 1926 |
| The Star | Edgar Degas | Art Institute of Chicago, object 60656 | Pastel on cream wove paper, edge mounted on board | 1879/81 |
| The Vase of Tulips | Paul Cézanne | Art Institute of Chicago, object 14561 | Oil on canvas | c. 1890 |
| The Water Fan | Winslow Homer | Art Institute of Chicago, object 38666 | Watercolor, with blotting and touches of scraping, over graphite, on ivory wove paper | 1898/99 |
| Trees (study for La Grande Jatte) | Georges Seurat | Art Institute of Chicago, object 154022 | Black Conté crayon, on white laid paper, laid down on cream board | 1884 |
| Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)" | Katsushika Hokusai | Art Institute of Chicago, object 24645 | Color woodblock print; oban | 1830/33 |
| Untitled | Daido Moriyama | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1976 |
| Untitled | Michelle Grabner | Jordan Matthiass — exhibition proposal | Acrylic on panel | 2012 |
| Untitled (From “Ballerina Project 2”) | Dane Shitagi | Jordan Matthiass — exhibition proposal | Archival pigment print | 2013 |
| Untitled (From “Ballerina Project”) | Dane Shitagi | Jordan Matthiass — exhibition proposal | Archival pigment print | 2011 |
| Untitled (From “Tights and Lips”) | Daido Moriyama | Jordan Matthiass — exhibition proposal | Gelatin silver print | 2011 |
| Untitled (Ocean) | Vija Celmins | Art Institute of Chicago, object 146880 | Graphite on paper | 1968 |
| Untitled Works (Horse Diving) | Peter Stackpole | Jordan Matthiass — exhibition proposal | Gelatin silver prints | 1953–1955 |
| Water Lilies | Claude Monet | Art Institute of Chicago, object 16568 | Oil on canvas | 1906 |
| Water Lily Pond | Claude Monet | Art Institute of Chicago, object 87088 | Oil on canvas | 1900 |
| Whistler Asleep | Giovanni Boldini | Art Institute of Chicago, object 111333 | Drypoint in black on ivory laid paper | 1897 |
| Whistler's Mother, after Whistler | Henri Charles Guérard | Art Institute of Chicago, object 140684 | Etching in brown on cream laid paper | c. 1883 |
| White Chair | Gertrude Abercrombie | Jordan Matthiass — exhibition proposal | Oil on masonite | 1952 |
| Woman Bathing | Mary Cassatt | Art Institute of Chicago, object 13506 | Color aquatint and drypoint on off-white laid paper | 1890–91 |
| Woman Descending the Staircase (Frau die Treppe herabgehend) | Gerhard Richter | Art Institute of Chicago, object 147003 | Oil on canvas | 1965 |
| Woman Walking with a Parasol (study for La Grande Jatte) | Georges Seurat | Art Institute of Chicago, object 150774 | Conté crayon on cream laid paper | 1884 |
| Yellow Dancers (In the Wings) | Edgar Degas | Art Institute of Chicago, object 18951 | Oil on canvas | 1874–76 |
| Yellow Hickory Leaves with Daisy | Georgia O'Keeffe | Art Institute of Chicago, object 24687 | Oil on canvas | 1928 |
| Yokosuka (Woman in White Dress Running) | Daido Moriyama | Jordan Matthiass — exhibition proposal | Gelatin silver print | 1971 |
| Young Spartan Girls Challenging Boys | Edgar Degas | Art Institute of Chicago, object 13487 | Oil on canvas | c. 1860 |